Mr. Brian wrote:I think there are songs that Mac wrote that were brought in and then the band added their respective parts but there are definitely a lot of songs that seem to be centered around a riff, drum or bass line. It seems that there was a gradual shift beginning around Ocean Rain but I would guess that the majority of Porcupine and HUH were collaborative as the band gelled and hit their stride musically. A lot of those songs can’t really be played with just a guitar and vocal and sound right.
Agreed. And especially when Mac would just add a rhythm riff while the rest of the band was playing melody around that. Zimbo is so obviously centered around Pete playing doomy drums. And Pete was clearly contributing to that marimba percussion on Porcupine and on Never Stop--and there were many things he did on Ocean Rain with percussion effects that would not have been present without him.
Mr. Brian wrote:I thought Les confirmed that a big reason, aside from the family issues, of why he left in ’98 was that Mac would just come in and say “these are the songs, they are finished now fill in your parts” which was different from how they used to do things. This also meant that he didn’t get publishing rights and percentages and in effect was getting paid less than the drummer and keyboard players that got paid scale as hired guns. Something like that anyway.
There was something in that interview about him still getting 3rds, but he just didn't want to do it the way that Mac was doing it. There's a demo version of the Game where Les plays a significant countermelody. I read somewhere that he had piano lessons as a kid and you can hear that he writes some great melodic riffs. He was an integral part of creating that atmospheric sound some of us love so well.
And Will should be knighted.