This anti-corporate music stance doesn't play out anymore. And I don't think Coyne was really part of it.
*spoiler alert - lots of pontificating that lacks a central thesis*
Access to recording equipment and people that can help a band record is incredibly prevalent meaning that lots of great music is getting out there without the corporate giants being the gate keepers.
That being siad, Over twenty years of The Falming Lips doing their thing, it makes sense that was once left of the dial is now, at times, dead center. It doesn't mean the music is any less aesthetically valuable. Sometimes a new sound works immediately while in other cases it take time.
But this doesn't really apply to the Lips, does it? Like BF said, they had it both ways. They have been on Warner Brothers since the early 90s, if the selling out argument means being on a major label.
Pop music is commerce. But I don't think Coyne ever had a problem with that.
So what does the future of the record industry hold if McDonald’s and Wal-Mart are no longer the devil?
I think there is an idea that’s been set in people’s minds, you know, “Those rich motherfuckers. Fuck, if we can rip them off and get our music for free we deserve it because record companies are so evil.” And it’s been perpetrated by artists all along. So I think that that’s not going to be reversed: the idea that you can download music and get it for free. I think more artists will embrace that and make it part of the way they work
http://www.vanityfair.com/online/cultur ... e-atp.html