by fat cherry » Wed May 24, 2017 5:56 am
I think Will has an ear for melody that Mac's either lost or never had in the first place. There's bits of tune all over the glide stuff - the piano in 'cosmos' possibly one of the best he's ever written. If Mac had any brains he's have pilfered that years ago. The last track in COTE is the standout for me. In praise of meteorites, and I've said befor, theres a couple of bits - the start of the title track and the general vibe (oo listen to me) of constantinople - that had me thinking this is going to be good, but sadly, that's all it was, bleuggh. And if he could chuck out all the sentimentle shite and reduce it to minimalist grunting I'd be quite happy I think, even record it on a four track from the 1960s, even better.
Speaking of grunting, and this is a bit off topic, theres a book out by some bloke who played piano for the stones on a coupleof things, sort of Wild Horses period, and a bit was in mojo a while ago, and two things made me laugh. Ian Stewart wouldn't play on whatever it was because it had minor chords in it (I wonder if that's one of those apochryphal thingies) so this bloke volunteered and Keef, as he is known, gave him some chord diagrams. He couldn't see how these chords fit with the song Keef was playing and then Bill Wyman comes over and says, don't take any notice of what Keef says, he doesn't know anything apart from where he put his fingers yesterday (oo er), this is how it goes...., and the other was Keef had written the song, whatever it was, but without words, but knew how he wanted it to go, so he plays it and grunts his way through syllable by syllable, as Mick swans around the studio making up words to fit. They should try that.