Right. Just got back.
The gig started 8.30. No support as advertised, and no string quartet with Mac, just keyboard and ’lead’ acoustic guitar. The venue was ace, staff friendly, nice crowd, only 250 seats but mostly full. The sound was terrific, I was very impressed with the sound (I was on the second row). His voiced sounded very good to me, and his guitar playing was quite impressive on Bedbugs, but on others the tempo wandered quite a bit mid-song.
They started with Playgrounds And City Parks, then Arthur ("I don't know why I called it that"), it was going lovely. In fact, most of the first part of the set worked fine. It got ropey towards the second part though, quite a few songs were left unfinished, (Whatever You Want off the Fountain - "I Can't Get Into It!"). To be honest, it got as slack as a welly top as the show went on.
Lips Like Sugar, Bedbugs and Ballyhoo, Killing Moon, a failed attempt at Villiers Terrace, Rescue . . Candleland, Nothing Lasts Forever got two false starts before a full(ish) version was nailed. Sorry, can't do a full on set list.
Now it really didn’t matter that Mac was obviously under-rehearsed. At these intimate shows it often works plucking songs out the air, taking requests, singing snatches. I think the evening would have been okay.
The banter was at times very funny in an obtuse way, and it made a nice change to be able to hear what he was saying (this was my first Mac solo gig). There were lots of snatches of songs, (Get In The Car got about two lines), and he even did some impressions of people I’d never heard of. Got a few laughs. He did Waiting For The Man, that was cool, he tried Bowie's Changes with the keyboard player doing the piano bit but he shit-canned it before the chorus.
Now, as I say, the music was good when it was good, and the scrappiness of the performance needn’t have been the problem but I think quite a big problem was the lack of atmosphere, and I think the blame for that must lie with Mac.
Attitude makes for great Rock & Roll, I’ve seen ’em all over the years - Mark E Smith, Lydon, Liam, I understand the edge that comes with snootiness and ‘fuck you‘. But in an intimate environment like tonight, being a curmudgeon only alienates the audience.
He moaned at people walking to the toilet mid show (“for fuck’s sake”!), he ridiculed their clothes, he complained people mumbled when they shouted out requests. . And then went on to moan about the student demonstrations, teachers . . And said that if people didn’t believe in the death sentence (for paedophiles) there was something wrong with them. Hmmm. .
Looking round the audience I thought 'I doubt he scored many political points with this lot!'.
Jesus, he even got impatient with a guy offering to buy him a drink. When the poor bloke asked him what he wanted Mac huffed “Just get what you think”. Of course, the drink,on arrival, was untouched and the buyer un-thanked.
One guy came back from the toilet and was asked “did you have a good slash?”
After an hour and a half, he said “we’ve got lots more we want to do, so you clap and we come back, that’s how it works. And can the people that go for a slash walk round the back of the hall, walking past the stage is just rude”.
And he was off, and the audience attempted a laughable trickle of ‘come back on’ applause which petered out into silence. I wonder if they thought, like me, that this guy moaning about teachers was acting just like a headmaster. Rock & Roll eh?
"Walk round the back, not in the front boy! and don't mumble when you talk . . !"
Soooo. . that was the end of gig, no encore, no rapturous applause. . just lots of people sitting round as the house lights came on going “was that it?”.
Which was a shame because the music, when it hit the groove, was very good. And I thoroughly enjoyed the solo vibe, I’d happily go again, and yes I was entertained for an hour and a half by a guy who’s talent I admire. For a VERY decent price, let’s not forget that. So I’m kind of making more observations on the gig than complaining. I’m trying to give you an impression of how I thought the audience felt.
At one point, as the roadie was tuning his guitar at the side of the stage, Mac said “what are you doing? You look like you’re shagging the table!” - and that kind of summed up the problem with the gig for me. It’s all too ‘laddish’ for this type of laid back evening. After about the fifth or sixth time of “turn the lights down, for fuck’s sake” you start thinking it’s a bit of a bum deal when the ‘star’, who is getting all the adulation and moolah, doesn’t seem to be having as good an evening as the ticket girl, the bar staff or the doorman.
I'm not a massive Bunnymen fan, I've been to three or four gigs, got into them in the nineties, so I don't know if this was a good solo show or not, as these things go, but despite all I wrote I hope it's obvious I enjoyed myself though, because of that there is no doubt!