by Scouser » Sun Jul 04, 2010 1:30 pm
The best DM biography is the one that is on constant loop in my head...
In Liverpool in 1981 there was a burgeoning post-punk scene but also alot of us had elder brothers / sisters / cousins still into Floyd, Genesis and Yes. It's just that sort of place for some reason (and why, years later, I have a particular fondness for Pink Floyd). In the late 70's I remember the long, keyboard led passages of prog rock and always liked them. It was a short hop, a few years later, to Kraftwerk and Gary Numan. I remember seeing Tubeway Army on TOTP in 1979 and thought "My God...that's brilliant."
My first serious foray into electronic music was Orchestral Manoeuvres In The Dark. My cousin Steve brought round his copy of their first album to play on my Dad's "Hi Fi" and I remember the jolt I got hearing Electricity played dead loud. I was straight down to Woolies to get my own copy. I also loved their follow up Organisation (I still do). I thought OMD would be with me forever...
But one afternoon in double geography Mike Cairns showed me the latest 7" single in his collection - New Life by the unpromisingly titled Depeche Mode. These were the days when people would go round to each others houses to play records and talk about them (now its an instant click and share). Round at Mike's he played said New Life and from those opening bars I was hooked. I didnt even know what they looked like at this stage. It was June of 1981.
Within weeks New Life was in the top 20 and I had seen DM on TOTP. They looked...er, unusual compared to OMD's shirts and ties. Weeks later Just Cant Get Enough followed and then Speak And Spell. This was a minor let down at the time, it wasnt as good as OMD's Organisation or Architecture & Morality. But then OMD went on a hiatus and DM were churning them out. By the time OMD returned with their flawed masterpiece (Dazzle Ships) DM had the momentum and had stolen their audience (including me).
I didnt notice Vince leaving, mainly because I was too young to care about who the songwriter was (13) but also because the twin focal points of the group were Martin and Dave.
It was A Broken Frame that cemented a love affair that remains as undimmed to this day. Though it had elements of the slightly naff electropop of the time (See You, Meaning Of Love, A Photograph Of You) it was shot through with a melancholia at odds with their peers. The Sun And The Rainfall was, quite simply, the greatest electronic pop song written up to that point.
Then the godlike genius that is Alan Wilder joined and DM went on a run few bands can only dream about. There were a few wrong turns along the way (the chorus of People Are People for example) and it wasnt easy being a DM fan when Martin was wearing rubber bondage dresses and Dave looked like an East Berlin rent boy. My mates were all into "serious" bands like the Bunnymen, The Jam, U2 and Big Country. There were howls of derision when I played them Something To Do from Some Great Reward ("I'll put your pretty dress on") and the UK music press pretty much waged a constant war against them. I was deemed gay for liking them, they were gay, their music was all done by machines, they were for kids. I heard it all.
However those with a brain could hear DM pushing the realms of technology, especially on Construction Time Again and Some Great Reward. The sounds were harsh, sparse, eastern european and (yes, I admit) abit pervy. They were one of the foremost singles bands of the 80's as their Singles 1981 - 1985 testifies. By 1986 (Black Celebration) they had learned to make albums as well.
I look back on that period of my life 1981 - 1986 as a rights of passage...school, A levels, leaving for University. DM were with me every step of the way, revision, girls, getting drunk for the first time, holidays...I can hear my life interwoven into every sinew of their recorded output. There is a DM song for pretty much every occasion...as long as that occasion is sex or death.
Amazing to think all that took place and still ahead of them was breaking America, the Rose Bowl, Violator, the Devotional Tour and Dave's "death".
Mr. Brian, I find that offensive.
Scouser's inability to se others' point of view is rather grating.