http://www.deathandtaxesmagazine.com/?p=12370
Apart from a six year hiatus in the early nineties, Echo and the Bunnymen have been around for a whopping 32 years incorporating a glorious heyday from 1979-1984 whereupon the band released five albums which still eclipse anything released by their ‘Big Music’ contemporaries U2, Simple Minds or, heaven forbid, The Alarm.
Despite the sweltering New York heat, Ian McCulloch is as ever resplendent in an enormous coat, hoodie and shades and the six-piece line up put on a storming show, essentially a greatest hits, padded with a few selections from last years The Fountain. And despite battling a cold, McCulloch’s sonorous vocal is in fine fettle – the opening triumvirate of “Going Up”, “Show Of Strength” and the mighty “Rescue” were remarkable, the tinny record sound transformed into a much more muscular proposition on stage with Will Seargants whale like guitar scything through the proceedings.
For a long-term fan like myself, the performance was close to perfect. To hear Seargant recreate Ravi Shankar’s sitar riff on ‘The Cutter’ was spellbinding; similarly, the band increased in confidence as the night wore on particularly with ‘All That Jazz’ and ‘The Killing Moon’ bringing the initial set to an apocalyptic conclusion.
Deciding to return for the first encore with 1997 comeback single ‘Nothing Lasts Forever’ was perhaps the only blip in the set, I could never see the value of this sub-Verve dirge but finishing with ‘Do It Clean’ and ‘Lips Like Sugar’ redeemed matters entirely. The latter song’s position as most-shouted-for-song was a curious dichotomy in my eyes as by the time of it’s release, the band were on the way down for us Europeans yet their stock was merely rising here in the States.
McCulloch didn’t say much but he didn’t need to. This was a valedictory, majestic performance from a truly classic band.